Options for music clips are interesting as well, and you can retime a piece of music from the panel, but this merely speeds up or slows down the piece with all the audio distortions associated with that. If you work with multiple sources of audio, or use multiple takes and different mics, this will prove to be an amazing timesaver. Premiere will analyse them all and unify the levels in all of them, automatically. From there, you will gain access to features depending on the type you’ve chosen, a neat system which makes everything more streamlined.įor instance, if you have different audio clips which have been recorded at different levels, you can select all those clips in your timeline, go to Essential Sound, and select the Auto Match button.
You can highlight audio clips in your timeline – either individually or as a group – and manually identify them as specific types, such as dialogue, music, ambience, or SFX. So Adobe created the Essential Sound panel which is task orientated. But going back and forth between apps can be a little daunting, and once in Audition, anyone not well versed in audio mixing tools might get easily confused by the vast array of options available. In the past, Adobe had perfected a good workflow to pass off the audio from Premiere to Audition, and back again. Speaking of sound, the improvements to Premiere’s audio capabilities are radical.
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